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Workshop Descriptions & Instructors


Marilyn Abildskov
Mary Allen
Kate Aspengren
Thomas Fox Averill
Nancy Barry
Timothy Bascom
Kyle Beachy
Karen Bender
Linda Bendorf
Maudy Benz
Venise Berry
Bruce Bond
David Bouchier
Michael Dennis Browne
Maggie Conroy
Mary Cross

Thomas K. Dean
Amber Dermont
Janet Desaulniers
Kelly Dwyer
Hope Edelman
Josh Emmons
Jill Esbaum
Sarah Fay
Hugh Ferrer
Katie Ford
Geoffrey Forsyth
Cecile Goding
Douglas Goetsch
Sands Hall
Christine Hemp
Jim Heynen
Rick Hillis
Charles Holdefer
Richard Jackson
Rebecca Johns
Cheryl Fusco Johnson
Wayne Johnson
Daniel Khalastchi
Carolyn Lieberg
BK Loren
Peter Markus
Fritz Mc Donald
James McKean
Gordon Mennenga
Sharelle Byars Moranville
Michael Morse
Barbara Robinette Moss
Marc Nieson
Shannon Olson
Diana Ossana
Lon Otto
Juliet Patterson
Kiki Petrosino
Mark Jude Poirier
Leslie Carol Roberts
Anjali Sachdeva
Sarah Saffian
Sam Samuels
Sandra Scofield
Mary Kay Shanley
Robert Anthony Siegel
Carol Spindel
Karen Subach
Mary Vermillion
Kris Vervaecke
Ashley Warlick
Michelle Wildgen
Bart Yates

AbildskovMarilyn Abildskov

A Simple Matter: Prose Rhythm
Weekend Workshop
July 11–12

The Beauty of Brevity: Autobiography Distilled
One-Week Workshop
July 12–17

Biography

 

 

 

 

 

A Simple Matter: Prose Rhythm
Weekend Workshop
July 11–12

“Style is a very simple matter,” Virginia Woolf once wrote: it is all about rhythm. “Once you get that, you can’t use the wrong words.” Yet even Woolf admitted that there she was, sitting there all morning, crammed with ideas that she couldn’t dislodge for lack of the right rhythm. In this course, we will gather as prose writers of both fiction and literary nonfiction to devote ourselves to a brief study of sentences, learning how to mine our material more effectively, intensifying a moment through cumulative moves or holding a reader in suspense by relying on periodic form or refining a punch-line with just the right kick. And even as we isolate structures for the purpose of stylistic practice in the process of generating new material, we’ll keep in mind that style is always a matter of substance. As Woolf herself went on to say, “This is very profound, what rhythm is, and goes far deeper than words.” Writers of all levels are welcome.

The Beauty of Brevity: Autobiography Distilled
One-Week Workshop
July 12–17

If you’re like most writers, you dream of finding the perfect time to write—months in a romantic cabin in the snowy woods, weeks next to that picture-perfect river, days in a cozy café, happily scribbling away. That is the dream. Then there is the reality: stealing a few minutes in the early morning before your job begins, sacrificing sleep—as well as folding the laundry and doing the dishes—for an hour at the end of the day. This course embraces reality rather than striving for an impossible dream. We will read short published essays to learn how various writers pack a punch in a very small space, creating memorable characters, telling complex stories, and conjuring up a sense of place. And then we will informally workshop those pieces generated from in-class and overnight writing exercises with an eye toward revising—all with the idea of distilling the messiness of real life into shapely art. Writers of all levels are welcome.

Biography
Marilyn Abildskov (M.F.A., The University of Iowa) is the author of The Men In My Country. Her short stories, literary essays, and poems have appeared in literary magazines such as The Southern Review, Ascent, and Alaska Quarterly Review. A recipient of a Rona Jaffe Award as well as Yaddo fellowships, she lives in the Bay Area and teaches at Saint Mary’s College of California.

 

 

 

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Sponsored by the Division of Continuing Education
Iowa Summer Writing Festival
C215 Seashore Hall
The University of Iowa
Iowa City, IA 52242

Phone 319-335-4160
FAX 319-335-4743
iswfestival@uiowa.edu

Last updated on February 9, 2009