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Workshop Descriptions & Instructors


Lee K. Abbott
Marilyn Abildskov
Mary Allen
Kate Aspengren
Thomas Fox Averill
Nancy Barry
Timothy Bascom
Kyle Beachy
Linda Bendorf
Venise Berry
Bruce Bond
Jericho Brown
Michael Dennis Browne
Thomas K. Dean
Amber Dermont
Janet Desaulniers
Kelly Dwyer
Hope Edelman
Sarah Fay
Hugh Ferrer
Geoffrey Forsyth
Patricia Foster
Cecile Goding
Douglas Goetsch
Megan Gogerty
Eric Goodman
Vince Gotera
Ann Harleman
Christine Hemp
Jim Heynen
Rick Hillis
Charles Holdefer
Jeremy Jackson
Richard Jackson
Rebecca Johns
Cheryl Fusco Johnson
Wayne Johnson
Daniel Khalastchi
Carolyn Lieberg
BK Loren
Dora Malech
Peter Markus

Malinda McCollum
Fritz Mc Donald
James McKean
June Melby
Gordon Mennenga
Sharelle Byars Moranville
Michael Morse
Alicia Rebecca Myers
Marc Nieson
Shannon Olson
Lon Otto
Juliet Patterson
Kiki Petrosino
Mark Jude Poirier
Sarah Prineas
Elizabeth Robinson
Anjali Sachdeva
Sarah Saffian
Leslie Schwartz
Sandra Scofield
Mary Kay Shanley
Carol Spindel
Elizabeth Stuckey-French
Ned Stuckey-French
Karen Subach
Mary Swander
Peter Trachtenberg
Nick Twemtow
Anthony Varallo
Mary Vermillion
Kris Vervaecke
Michelle Wildgen
Bart Yates

Bond

 

 

Advanced Poetry Workshop
One-Week Workshop
June 13–18

Biography

 

 

 

 

 

Advanced Poetry Workshop
One-Week Workshop
June 13–18

What is it about the lyric possibility of words that animates the poetry of all different genres? How do we encourage in our work and in our life the quality of attention that we associate with lyric resonance, its irreducibility, authenticity, and wonder? What is it in the way certain poems move that makes us return to them for more? In this class, we will be exploring the lyric impulse as a means of opening up the unconscious power of language and expanding its imaginative resources. Related topics will include lyric and narrative time, uses of the line, writing into silence, thinking with the body, and a myriad other issues raised by the poems themselves. The focus will be on previously written work by participants, though there will also be opportunities to write poems on a daily basis for class discussion. Along the way, we will look at the work of writers selected to illuminate and inspire our own distinctive process.

Biography
Bruce Bond’s collections of poetry include Peal (Etruscan, 2009); Blind Rain (Louisiana State University, 2008); Cinder (Etruscan, 2003); The Throats of Narcissus (University of Arkansas, 2001); Radiography (BOA, 1997), winner of the Texas Institute of Letters Best Book of Poetry Award; The Anteroom of Paradise (QRL, 1991; Silverfish, 2007), winner of the Colladay Award; and Independence Days (Woodley, 1990), winner of the R. Gross Award. His poetry has appeared in The Best American Poetry, Yale Review, The Georgia Review, Poetry, and The New Republic, among others. He has received numerous honors, including fellowships from the NEA and Texas Commission on the Arts, as well as the Kesterson Award for Outstanding Graduate Teaching. Presently he is a Regents Professor of English at the University of North Texas and Poetry Editor for American Literary Review.


 

 

 

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Sponsored by the Division of Continuing Education
Iowa Summer Writing Festival
C215 Seashore Hall
The University of Iowa
Iowa City, IA 52242

Phone 319-335-4160
FAX 319-335-4743
iswfestival@uiowa.edu

Last updated on February 5, 2010