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Workshop Descriptions & Instructors


Marilyn Abildskov
Mary Allen
Kate Aspengren
Thomas Fox Averill
Nancy K.Barry
Timothy Bascom
Kyle Beachy
Karen Bender
Linda Bendorf
Maudy Benz
Venise Berry
Bruce Bond
David Bouchier
Michael Dennis Browne
Maggie Conroy
Mary Cross

Thomas K. Dean
Amber Dermont
Janet Desaulniers
Kelly Dwyer
Hope Edelman
Josh Emmons
Jill Esbaum
Sarah Fay
Hugh Ferrer
Katie Ford
Geoffrey Forsyth
Cecile Goding
Douglas Goetsch
Sands Hall
Christine Hemp
Jim Heynen
Rick Hillis
Charles Holdefer
Richard Jackson
Rebecca Johns
Cheryl Fusco Johnson
Wayne Johnson
Daniel Khalastchi
Carolyn Lieberg
BK Loren
Peter Markus
Fritz Mc Donald
James McKean
Gordon Mennenga
Sharelle Byars Moranville
Michael Morse
Barbara Robinette Moss
Marc Nieson
Shannon Olson
Diana Ossana
Lon Otto
Juliet Patterson
Kiki Petrosino
Mark Jude Poirier
Leslie Carol Roberts
Anjali Sachdeva
Sarah Saffian
Sam Samuels
Sandra Scofield
Mary Kay Shanley
Robert Anthony Siegel
Carol Spindel
Karen Subach
Mary Vermillion
Kris Vervaecke
Ashley Warlick
Michelle Wildgen
Bart Yates

BondBruce Bond

The Poem’s Process
One-Week Workshop
June 21–26

Biography

 

 

 

The Poem’s Process
One-Week Workshop
June 21–26

Word and world: such are the twin passions of every poet, sometimes at odds, each asking us to risk something, to broaden the horizons of the poem as we write it. This class will explore the composition of new poems through a variety of questions and challenges designed to awaken our sense of expressive range and engagement. Each day students will look for inspiration at innovative lyrics from the post-WWII American tradition, including poems by Lowell, Bishop, Plath, Hecht, Hugo, Merwin, Hass, Glück, Komunyakaa, Schnackenberg, and others. Discussions will broaden to include possibilities for our own poetry, for not only the body of its language, but also where that body takes us. New poems will be shared each day in a productively oriented environment in hopes that the class will send writers forward with a renewed desire to write, to face that sometimes formidable door, the empty page, and open. There will be also be opportunities (particularly in tutorial sessions) to discuss work that students have previously written.

Biography
Bruce Bond’s collections of poetry include Blind Rain (Louisiana State University, 2008); Cinder (Etruscan, 2003); The Throats of Narcissus (University of Arkansas, 2001); Radiography (BOA, 1997), winner of the Texas Institute of Letters Best Book of Poetry Award; The Anteroom of Paradise (QRL, 1991; Silverfish, 2007), winner of the Colladay Award; Independence Days (R. Gross Award, Woodley, 1990); and a forthcoming volume entitled Peal (Etruscan, 2010). His poetry has appeared in The Best American Poetry, Yale Review, The Georgia Review, Poetry, The New Republic,and many other journals, and he has received numerous honors including fellowships from the NEA and Texas Commission on the Arts. Presently he is a Regents Professor of English at the University of North Texas and Poetry Editor for American Literary Review.


 

 

 

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Sponsored by the Division of Continuing Education
Iowa Summer Writing Festival
C215 Seashore Hall
The University of Iowa
Iowa City, IA 52242

Phone 319-335-4160
FAX 319-335-4743
iswfestival@uiowa.edu

Last updated on February 2, 2009