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Workshop Descriptions & Instructors


Marilyn Abildskov
Mary Allen
Kate Aspengren
Thomas Fox Averill
Nancy K.Barry
Timothy Bascom
Kyle Beachy
Karen Bender
Linda Bendorf
Maudy Benz
Venise Berry
Bruce Bond
David Bouchier
Michael Dennis Browne
Maggie Conroy
Mary Cross

Thomas K. Dean
Amber Dermont
Janet Desaulniers
Kelly Dwyer
Hope Edelman
Josh Emmons
Jill Esbaum
Sarah Fay
Hugh Ferrer
Katie Ford
Geoffrey Forsyth
Cecile Goding
Douglas Goetsch
Sands Hall
Christine Hemp
Jim Heynen
Rick Hillis
Charles Holdefer
Richard Jackson
Rebecca Johns
Cheryl Fusco Johnson
Wayne Johnson
Daniel Khalastchi
Carolyn Lieberg
BK Loren
Peter Markus
Fritz Mc Donald
James McKean
Gordon Mennenga
Sharelle Byars Moranville
Michael Morse
Barbara Robinette Moss
Marc Nieson
Shannon Olson
Diana Ossana
Lon Otto
Juliet Patterson
Kiki Petrosino
Mark Jude Poirier
Leslie Carol Roberts
Anjali Sachdeva
Sarah Saffian
Sam Samuels
Sandra Scofield
Mary Kay Shanley
Robert Anthony Siegel
Carol Spindel
Karen Subach
Mary Vermillion
Kris Vervaecke
Ashley Warlick
Michelle Wildgen
Bart Yates

BouchierDavid Bouchier

That’s Not Funny: Writing Humor in Neurotic Times
Weekend Workshop
July 18–19

Ideas on the Wing: Writing the Spontaneous Essay
One-Week Workshop
July 19–24

Biography

 

 

 

 

 

That’s Not Funny: Writing Humor in Neurotic Times
Weekend Workshop
July 18–19

“Humor,” wrote James Thurber, “is emotional chaos recollected in tranquility.” In this workshop, designed for beginning and intermediate writers with a sense of the ridiculous, we will try to deconstruct and understand the mechanics of humor without ever losing our sense of humor in the process. We will explore the many different techniques of humor: irony, satire, parody, incongruity, absurdity, verbal wit, and as many more as we can discover. Examples will range from Shakespeare and Mark Twain to Steve Colbert, P.J. O'Rourke, and Garrison Keilor, plus the writing you bring to the workshop (five hundred words is the ideal length). Essays, stories, columns, poems and scripts, complete or partial, will all be welcome.

Editors and publishers love a writer who can show the funny side of life without offending readers. In our weekend, we’ll consider the delicate question of how to write and sell humor in a politically correct age. Our goal will be to help you discover your unique sense of humor and show you how to use it in any form of writing.

Ideas on the Wing: Writing the Spontaneous Essay
One-Week Workshop
July 19–24

Your flight is delayed yet again; you read a poem on the subway; you hear a siren in the night; you realize that you will never understand the new TV remote, or use your gym subscription, or learn the piano; your childhood teddy bear has gone missing. Every day, and almost every hour, life offers experiences that are worth thinking about, and worth writing about. Tragedy and high drama are not necessary. The personal or intimate essay is the perfect form in which to capture these everyday moments, and to explore how they touch us on a deeper level. David Bouchier, who has written more than nine hundred personal essays for National Public Radio and The New York Times, explains how to turn these fragments of ordinary life into writing that sells. During the week, we will create quick, short essays from our experiences in exotic Iowa City, and these will be discussed and developed in the workshop.

Biography
David Bouchier is the award-winning essayist for NPR Stations WSHU & WSUF, and for ten years wrote a weekly humor column in the Sunday New York Times. His most recent books are The Cats and the Water Bottles, stories about a year in a French village; and A Few Well Chosen Words (essays). He is also the author of Writer at Work: Reflections on the Art and Business of Writing (2005). Visit David at www.davidbouchier.com.


 

 

 

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Sponsored by the Division of Continuing Education
Iowa Summer Writing Festival
C215 Seashore Hall
The University of Iowa
Iowa City, IA 52242

Phone 319-335-4160
FAX 319-335-4743
iswfestival@uiowa.edu

Last updated on February 10, 2009