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Workshop Descriptions & Instructors


Marilyn Abildskov
Mary Allen
Kate Aspengren
Thomas Fox Averill
Nancy Barry
Timothy Bascom
Kyle Beachy
Karen Bender
Linda Bendorf
Maudy Benz
Venise Berry
Bruce Bond
David Bouchier
Michael Dennis Browne
Maggie Conroy
Mary Cross

Thomas K. Dean
Amber Dermont
Janet Desaulniers
Kelly Dwyer
Hope Edelman
Josh Emmons
Jill Esbaum
Sarah Fay
Hugh Ferrer
Katie Ford
Geoffrey Forsyth
Cecile Goding
Douglas Goetsch
Sands Hall
Christine Hemp
Jim Heynen
Rick Hillis
Charles Holdefer
Richard Jackson
Rebecca Johns
Cheryl Fusco Johnson
Wayne Johnson
Daniel Khalastchi
Carolyn Lieberg
BK Loren
Peter Markus
Fritz Mc Donald
James McKean
Gordon Mennenga
Sharelle Byars Moranville
Michael Morse
Marc Nieson
Shannon Olson
Diana Ossana
Lon Otto
Juliet Patterson
Kiki Petrosino
Mark Jude Poirier
Leslie Carol Roberts
Anjali Sachdeva
Sarah Saffian
Sam Samuels
Sandra Scofield
Mary Kay Shanley
Robert Anthony Siegel
Carol Spindel
Karen Subach
Mary Swander
Mary Vermillion
Kris Vervaecke
Ashley Warlick
Michelle Wildgen
Bart Yates

Amber Dermont

Plot and Action in the Short Story: A Workshop
Weekend Workshop
June 13–14

Have I Got a Story for You: Short Fiction Workshop
One-Week Workshop
June 14–19

Biography

 







Plot and Action in the Short Story: A Workshop
Weekend Workshop
June 13–14

Plot is often described as character in conflict. But how do writers translate this conflict into action? How do writers make things happen in their fiction? How does action reveal meaning and how does this meaning resonate beyond the plot of the story? In this class, we will workshop student short stories up to twelve pages in length with a specific eye toward plot and action. We will consider how each story might benefit from scenic development and dramatic enactment. Our discussions and analysis will pay careful attention to pacing, compression, back-story versus “now” story, structure and retrospection.

Have I Got a Story for You: Short Fiction Workshop
One-Week Workshop
June 14–19

We are going to do something very dangerous in this class: we’re going to workshop and revise our short stories. Each student will bring in a piece of his or her own short fiction up to twenty-five pages in length for our class to consider and discuss. Through intense and thoughtful analysis of structure, dramatic enactment and narration, we will determine a variety of strategies for revision. We’re going to strive to make these characters, settings, and plots so credible and engaging that we and others would prefer to spend our time exploring them than do just about anything else. The class is open to anyone who has written a story and is in need of a workshop.

Biography
Amber Dermont’s short stories have recently appeared in American Short Fiction, Crazyhorse, Open City, Tin House, Zoetrope: All-Story and in the anthologies Best New American Voices, Best American Nonrequired Reading, and The Worst Years of Your Life. A graduate of The University of Iowa Writers’ Workshop, Amber received her Ph.D. in Literature and Creative Writing from the University of Houston. She is an Assistant Professor of English and Creative Writing at Agnes Scott College in Decatur, Georgia.


 

 

 

 

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Sponsored by the Division of Continuing Education
Iowa Summer Writing Festival
C215 Seashore Hall
The University of Iowa
Iowa City, IA 52242

Phone 319-335-4160
FAX 319-335-4743
iswfestival@uiowa.edu

Last updated on February 19, 2009