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Workshop Descriptions & Instructors
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Trigger Happy: Getting Your Story Started Have I Got A Story For You: Short Fiction Workshop
Trigger Happy: Getting Your Story Started Sometimes all a writer needs is a word, an image, a structure, a form, a directive, a constraint to get their story up and running wildly. In this class, we will consider new strategies and techniques for generating fiction. Through in-class and take-home writing assignments, we will play with narrative form and structure, with character development, with formal constraints, with point of view. We will create new rules for ourselves and have fun breaking them. At the end of the weekend we should all have at least half a dozen new pieces triggered and ready for us to develop into fully sustained narratives. Have I Got A Story For You: Short Fiction Workshop We are going to do something very dangerous in this class: we’re going to workshop and revise our short stories. Each student will bring a maximum of thirty pages of short fiction for our class to consider and discuss. We’re going to strive to make these characters, settings, and plots so credible and engaging that we, and others, would prefer to spend our time exploring them than do just about anything else in the world. The great American short story writer Flannery O’Connor, who grew up poor in Milledgeville, Georgia, and spent most of her life dying from lupus and tending to the ornery peacocks she kept as watchdogs, once said about her own writing, “my subject in fiction is the action of grace in a territory held largely by the devil.” In writing our own stories, we will negotiate this space between beauty and mischief as we set about to discover new approaches for revision. Biography
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by Instructor Sponsored by the Division of Continuing Education Last updated on January 10, 2008 |
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