Previous Page | Registration Form | Site Map | Next Page

Workshop Descriptions & Instructors


Marilyn Abildskov
Mary Allen
Kate Aspengren
Thomas Fox Averill
Nancy K.Barry
Timothy Bascom
Kyle Beachy
Karen Bender
Linda Bendorf
Maudy Benz
Venise Berry
Bruce Bond
David Bouchier
Michael Dennis Browne
Maggie Conroy
Mary Cross

Thomas K. Dean
Amber Dermont
Janet Desaulniers
Kelly Dwyer
Hope Edelman
Josh Emmons
Jill Esbaum
Sarah Fay
Hugh Ferrer
Katie Ford
Geoffrey Forsyth
Cecile Goding
Douglas Goetsch
Sands Hall
Christine Hemp
Jim Heynen
Rick Hillis
Charles Holdefer
Richard Jackson
Rebecca Johns
Cheryl Fusco Johnson
Wayne Johnson
Daniel Khalastchi
Carolyn Lieberg
BK Loren
Peter Markus
Fritz Mc Donald
James McKean
Gordon Mennenga
Sharelle Byars Moranville
Michael Morse
Barbara Robinette Moss
Marc Nieson
Shannon Olson
Diana Ossana
Lon Otto
Juliet Patterson
Kiki Petrosino
Mark Jude Poirier
Leslie Carol Roberts
Anjali Sachdeva
Sarah Saffian
Sam Samuels
Sandra Scofield
Mary Kay Shanley
Robert Anthony Siegel
Carol Spindel
Karen Subach
Mary Vermillion
Kris Vervaecke
Ashley Warlick
Michelle Wildgen
Bart Yates

Sarah Fay

The Talent of Reading (and What It Means to Writing)
One-Week Workshop
June 7–12

The Art of the Interview
Weekend Workshop
June 20–21

Biography

 

 

 

 

The Talent of Reading (and What It Means to Writing)
One-Week Workshop
June 7–12

How does one cultivate a talent for reading? Although reading is an essential skill for book reviewers (Evelyn Waugh once said that he would never give a bad review to a book he hadn’t read), it is also important to writers of fiction, nonfiction, and poetry—not to mention those who are ready to take the book club to a whole new level. During the first half of the week, we’ll fine-tune our methods and approaches to reading and study the book review as a form. For guidance, we’ll look to critics such as Edmund Wilson, V.S. Pritchett, James Wood, Louis Menand, Michiko Kakutani, and John Updike. During the second half of the week, we’ll establish how to translate our new reading skills into creative and critical writing that is adroit and evocative.

Workshop will include in-class writing exercises as well as take-home assignments. This class invites writers of all genres.

The Art of the Interview
Weekend Workshop
June 20–21

It seems simple: One person asks a series of questions, and the other person answers them. But every good conversation doesn’t make for a great interview. The interview is an art form. One must know what to ask, when to ask it, how to ask, and how to listen to the answer. Although this workshop will focus on the literary interview—the “long form”— it will also examine how fieldwork interviews serve as the foundation for magazine features, biographies, memoirs, literary essays, short stories, novels, plays, and even poems. We will cover every aspect of interviewing, from preliminary research and prepping questions to the proper recording equipment and editing raw transcripts.

This highly participatory workshop will focus on in-class exercises and outside writing assignments. We’ll pay close attention to classic print interviews (literary and otherwise) from The Paris Review, Playboy, The Believer, and The New York Times. This workshop invites writers of all levels and all genres.

Biography
Sarah Fay is an advisory editor at The Paris Review. Her interviews with Kenzaburo Oe, Javier Marías, Kay Ryan, Jack Gilbert, Pankaj Mishra, and Marilynne Robinson have appeared or are forthcoming in The Paris Review and The Believer. Her interview with Jack Gilbert was recently anthologized in The Paris Review Interviews, vol. I. Her writing has been published in The New York Times Book Review, Bookforum, The American Scholar, The Missouri Review,andon the website for Time magazine. She has received grants and fellowships from the MacDowell Colony, the Puffin Foundation, the Vermont Studio Center, the Sewanee Writers’ Conference, and the Corporation of Yaddo. She is the recipient of the Poetry Center of Chicago’s 12th Annual Poetry Prize and the Avery Hopwood Award for Literature from the University of Michigan. She holds an M.F.A. in Poetry and is currently a Ph.D. candidate in English Literature at The University of Iowa.

 

 

 

 

Site Map | Welcome | Workshops by Session Date | Workshops by Instructor
Workshops by Genre | Registration & Housing Information | Registration Form

Sponsored by the Division of Continuing Education
Iowa Summer Writing Festival
C215 Seashore Hall
The University of Iowa
Iowa City, IA 52242

Phone 319-335-4160
FAX 319-335-4743
iswfestival@uiowa.edu

Last updated on February 10, 2009