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Workshop Descriptions & Instructors


Marilyn Abildskov
Mary Allen
Kate Aspengren
Thomas Fox Averill
Nancy K.Barry
Timothy Bascom
Kyle Beachy
Karen Bender
Linda Bendorf
Maudy Benz
Venise Berry
Bruce Bond
David Bouchier
Michael Dennis Browne
Maggie Conroy
Mary Cross

Thomas K. Dean
Amber Dermont
Janet Desaulniers
Kelly Dwyer
Hope Edelman
Josh Emmons
Jill Esbaum
Sarah Fay
Hugh Ferrer
Katie Ford
Geoffrey Forsyth
Cecile Goding
Douglas Goetsch
Sands Hall
Christine Hemp
Jim Heynen
Rick Hillis
Charles Holdefer
Richard Jackson
Rebecca Johns
Cheryl Fusco Johnson
Wayne Johnson
Daniel Khalastchi
Carolyn Lieberg
BK Loren
Peter Markus
Fritz Mc Donald
James McKean
Gordon Mennenga
Sharelle Byars Moranville
Michael Morse
Barbara Robinette Moss
Marc Nieson
Shannon Olson
Diana Ossana
Lon Otto
Juliet Patterson
Kiki Petrosino
Mark Jude Poirier
Leslie Carol Roberts
Anjali Sachdeva
Sarah Saffian
Sam Samuels
Sandra Scofield
Mary Kay Shanley
Robert Anthony Siegel
Carol Spindel
Karen Subach
Mary Vermillion
Kris Vervaecke
Ashley Warlick
Michelle Wildgen
Bart Yates

Hugh Ferrer

Scaling Mt. Slush Pile: Reading Your Story Like a Fiction Editor
Weekend Workshop
June 13–14
or
Weekend Workshop
July 11–12

Shadows, Hands, Petals: The Unbearable Lightness of Imagery
One-Week Workshop
June 21–26

Biography

 

 

Scaling Mt. Slush Pile: Reading Your Story Like a Fiction Editor
Weekend Workshop
June 13–14
or
Weekend Workshop
July 11–12

We all receive them, those form rejections offering thanks and apologizing that “the bulk of submissions prevents a more personal reply.” Maybe they’re polite, at least as form letters go—and there’s no denying that simultaneous submissions are swamping editorial offices around the country—but such notes don’t help us rewrite! In this workshop, we’ll briefly review common mistakes and go over cover letters, then we’ll move into in-depth editorial readings of your stories, discussing craft issues, structure, aesthetics, and techniques for standing out amid a thousand other manuscripts. This workshop is designed for intermediate and advanced short story writers. For longer stories (greater than fifteen manuscript pages), please also plan to bring a summary.

Shadows, Hands, Petals: The Unbearable Lightness of Imagery
One-Week Workshop
June 21–26

We love those writers and poets who not only cast a spell over us with their words, but who also strike our fancy, exciting the imagination with a stream of choice images. The fact is, though, not all images are created equal—some things leap to mind with the greatest of ease, while much of the world we experience is intractable, leaden, resisting conjuration at all costs. If images are to be a “special effect” of good writing, it’s crucial that the fireworks not fizzle. In this workshop, we’ll pore over examples of successful images—and sequences of images—from a variety of genres to get a grip on what most powerfully sparks the imagination. Then, through exercises and free writing, we’ll draft and craft new work, hunting for those vivid details that will move the reader. This class is open to writers of all levels and all genres.

Biography
Hugh Ferrer received his M.F.A. in fiction from The University of Iowa Writers’ Workshop. He is the fiction editor of The Iowa Review and the associate director of the University of Iowa International Writing Program. He is also an adjunct lecturer, teaching a course that introduces Iowa undergraduates to Iowa City’s literary culture.

 

 

 

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Sponsored by the Division of Continuing Education
Iowa Summer Writing Festival
C215 Seashore Hall
The University of Iowa
Iowa City, IA 52242

Phone 319-335-4160
FAX 319-335-4743
iswfestival@uiowa.edu

Last updated on February 10, 2009