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Workshop Descriptions & Instructors


Marilyn Abildskov
Mary Allen
Kate Aspengren
Thomas Fox Averill
Nancy K.Barry
Timothy Bascom
Kyle Beachy
Karen Bender
Linda Bendorf
Maudy Benz
Venise Berry
Bruce Bond
David Bouchier
Michael Dennis Browne
Maggie Conroy
Mary Cross

Thomas K. Dean
Amber Dermont
Janet Desaulniers
Kelly Dwyer
Hope Edelman
Josh Emmons
Jill Esbaum
Sarah Fay
Hugh Ferrer
Katie Ford
Geoffrey Forsyth
Cecile Goding
Douglas Goetsch
Sands Hall
Christine Hemp
Jim Heynen
Rick Hillis
Charles Holdefer
Richard Jackson
Rebecca Johns
Cheryl Fusco Johnson
Wayne Johnson
Daniel Khalastchi
Carolyn Lieberg
BK Loren
Peter Markus
Fritz Mc Donald
James McKean
Gordon Mennenga
Sharelle Byars Moranville
Michael Morse
Barbara Robinette Moss
Marc Nieson
Shannon Olson
Diana Ossana
Lon Otto
Juliet Patterson
Kiki Petrosino
Mark Jude Poirier
Leslie Carol Roberts
Anjali Sachdeva
Sarah Saffian
Sam Samuels
Sandra Scofield
Mary Kay Shanley
Robert Anthony Siegel
Carol Spindel
Karen Subach
Mary Vermillion
Kris Vervaecke
Ashley Warlick
Michelle Wildgen
Bart Yates

Sands Hall

Showing and Telling: The Effective Use of Detail
Weekend Workshop
June 20–21

Tools of the Writer’s Craft
One-Week Workshop
June 21–26

Biography

 

 

 

 

 

 

Showing and Telling: The Effective Use of Detail
Weekend Workshop
June 20–21

As writers we are told: “Show, don’t tell!” What does this injunction mean? How do we put it into practice? This workshop covers various aspects of detail, that vital element of effective writing. We’ll use published examples to focus on what and how a writer chooses to show, as well as when and why a writer might decide to tell. With the help of short assignments, we’ll explore the use of active verbs, sensory perceptions, the importance of sense of place, action and gesture, and we’ll discuss helpful hints on dialogue and point of view. Whether you are working on poems, a play, essays, memoir, or fiction, you’ll come to understand how the choice and the portrayal of detail can give your writing specificity and vigor.

Tools of the Writer’s Craft
One-Week Workshop
June 21–26

While some aspects of the writing life are ones over which we have little dominion—luck, timing, even talent—what we can control is our craft, which is the focus of this workshop. With the aid of handouts and daily assignments, we’ll focus on tools and techniques that make writing effective, including a thorough understanding of point of view and its relation to sense of place, the differences between and respective uses of showing and telling, the importance of crafting scenes, as well as some dialogue pitfalls and helpful hints. You will write daily, with the writing critiqued in a workshop forum. Come prepared to work hard; you will leave with new confidence in your writer’s craft.

Biography
Sands Hall is a graduate of The University of Iowa Writers’ Workshop and holds a second M.F.A. in Theatre Arts. Her experience as director, actor, and playwright gives her a unique perspective on the writing process. Currently Visiting Professor of Creative Writing at Franklin & Marshall College, she is the author of a book of writing essays and exercises, Tools of the Writer’s Craft; of the novel Catching Heaven, a Random House Reader’s Circle selection; as well as fiction and nonfiction in The Iowa Review, the Green Mountain Review, and Tahoe Quarterly. Her produced plays include an adaptation of Alcott’s Little Women and the comic/drama Fair Use. This is the nineteenth year Sands has taught for the Festival.


 

 

 

 

 

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Sponsored by the Division of Continuing Education
Iowa Summer Writing Festival
C215 Seashore Hall
The University of Iowa
Iowa City, IA 52242

Phone 319-335-4160
FAX 319-335-4743
iswfestival@uiowa.edu

Last updated on February 10, 2009