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Workshop Descriptions & Instructors


Faith Adiele
Mary Allen
Kate Aspengren
Thomas Fox Averill
Nancy Barry
Timothy Bascom
Linda Bendorf
Venise Berry
Bruce Bond

Michael Dennis Browne
Susan Taylor Chehak
John Dalton
Thomas K. Dean
Amber Dermont
Kelly Dwyer
Hope Edelman
Josh Emmons
Katie Ford
Patricia Foster
Laura Fraser
Cecile Goding
Douglas Goetsch
Kevin González
John Griesemer
Sands Hall
Christine Hemp
Jim Heynen
Rick Hillis
Charles Holdefer
Richard Jackson
Cheryl Fusco Johnson
Wayne Johnson
Bret Anthony Johnston
Daniel Khalastchi
Zachary Lazar
Carolyn Lieberg
BK Loren
Fritz Mc Donald
James McKean
Gordon Mennenga
Katherine Min
Sharelle Byars Moranville
Michael Morse
Barbara Robinette Moss
Marc Nieson
Shannon Olson
Lon Otto
Juliet Patterson
Anjali Sachdeva
Sarah Saffian
Sam Samuels
Leslie Schwartz
Sandra Scofield
Mary Kay Shanley
Carol Spindel
Karen Subach
Mary Vermillion
Ashley Warlick
Jan Weissmiller
Bart Yates

Bret Anthony JohnstonBret Anthony Johnston

Naming The World: A Weekend Of Fiction And Fiction Exercises
Weekend Workshop
July 19–20 and July 26-27

Advanced Short Story Workshop
One-Week Workshop
July 20–25

Biography

 

 

 

 

 

 

Naming The World: A Weekend Of Fiction And Fiction Exercises
Weekend Workshop
July 19–20 and July 26-27

Writers from Ernest Hemingway to Alice Munro have used writing prompts and craft-based exercises to kick-start their fiction, and in that spirit, we’ll spend the weekend completing numerous exercises. Some of the exercises will aim to generate ideas and foundations for stories and novels, while others will engage specific elements of fiction (plot, characterization, dialogue, point-of-view, etc.) and offer a variety of techniques for negotiating the problems that plague fiction writers. We will also use the exercises to discuss and explore more sophisticated aspects of prose writing, such as narrative structure and voice, and to deepen our understanding of the writing process itself. The weekend will be fast-paced and intense, and the goal is to leave with loads of new fiction waiting to be written and some new, practical tools to help you write it. 

Advanced Short Story Workshop
One-Week Workshop
July 20–25

This course’s goal is to strengthen each writer’s fiction. By week’s end, you’ll read short stories the way magicians watch magic shows, with greater enthusiasm, skill, and maybe a dash of skepticism. Much of our time will be spent discussing the work of writers in the class, but we’ll also complete exercises and study work by established authors. In this craft-focused workshop, we’ll consider how/when to employ different elements of fiction writing—point-of-view, setting, narrative structure, plot, flashback, dramatization and exposition, dialogue—while celebrating each story’s particular merits and devising specific strategies for its revision.

In addition to your story for workshop (please plan to send me a double-spaced story of up to 20 pages before class begins), you’ll be asked to write critically about your peers’ work. Your thoroughly considered comments and active participation in the workshop are paramount to our success. The workshop tone will be fair, honest, and lively. I will most vehemently encourage you to find your own voice, to be rigorous in your work habits, and to seek thematic clarity and stylistic beauty in your prose.

Biography
Bret Anthony Johnston is the author of the internationally acclaimed Corpus Christi: Stories and the editor of Naming the World: And Other Exercises for the Creative Writer. His work has been widely published in places such as The Paris Review, The New York Times Magazine, and Tin House, and in 2006 he received a National Book Award for emerging writers. A graduate of The University of Iowa Writers’ Workshop, he is the Director of Creative Writing at Harvard. For more information, visit www.bretanthonyjohnston.com.


 

 

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Iowa Summer Writing Festival
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Phone 319-335-4160
FAX 319-335-4743
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Last updated on June 27, 2008