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Workshop Descriptions & Instructors
Marilyn Abildskov
Mary Allen Kate Aspengren Thomas Fox Averill Nancy K. Barry Timothy Bascom Ann Bauer Karen Bender Linda Bendorf Venise Berry Jonathan Blum Robin Bourjaily Michael Dennis Browne Sarah Busse Susan Taylor Chehak Maggie Conroy Thomas K. Dean Amber Dermont Kelly Dwyer Nick Dybek Hope Edelman Jill Esbaum Michelle Falkoff Hugh Ferrer Cecile Goding Douglas Goetsch Eric Goodman Sands Hall Christine Hemp Jim Heynen Charles Holdefer Jeremy Jackson Richard Jackson Rebecca Johns Cheryl Fusco Johnson Wayne Johnson Daniel Khalastchi Carolyn Lieberg BK Loren Sabrina Orah Mark Peter Markus Jacqueline Briggs Martin Malinda McCollum Fritz Mc Donald Madeline McDonnell James McKean Reginald McKnight June Melby Gordon Mennenga Sharelle Byars Moranville Michael Morse Beau O’Reilly Juliet Patterson Mark Jude Poirier Andrew Porter Kathryn Rhett Elizabeth Robinson Anjali Sachdeva Sarah Saffian Sam Samuels Lisa Schlesinger Sandra Scofield Mary Kay Shanley Robert Anthony Siegel Carol Spindel Karen Subach Nicholas Twemlow Anthony Varallo Mary Vermillion Kris Vervaecke Jeff Vintar Bart Yates |
BK Loren Putting the “Creative” into Nonfiction: A Nonfiction Writing Intensive Putting the “Creative” into Nonfiction: A Nonfiction Writing Intensive Creative Nonfiction has been getting some flak recently for being more fiction than non. In the wake of the fray (or the “Frey,” as it were) we creative nonfiction writers may have become confused: where is the “creative” in the nonfiction? In this course, we’ll learn how to push beyond the “this happened, and then this happened next” doldrums in creative nonfiction. We’ll explore how and when the imagination comes into play in nonfiction, and also look at how to give shape to a “true” story that, like most of “true” life, has no shape (other than the boring blob of everyday living). Come prepared to write a lot, to explore how your own mind works on the page, and to loosen up a little—in other words, to put the creativity back into your creative nonfiction. All forms of creative nonfiction are welcome! Word Yoga: Exercises to Stretch, Strengthen, and Allow Your Fiction to Breathe Is your prose a little tight, or unfocused, or just plain stuck? While traditional yoga encourages your body to be stronger, more flexible and fluid, Word Yoga does the same for your writing. Each exercise in this weeklong intensive will address a specific aspect of writing: finding a fresh voice, developing character, addressing tension, creating fresh images, avoiding trite language, playing with point of view, and more. Expect to leave the class invigorated, and with a fresh outlook on how to weave words into fiction or essays. The exercises are designed for beginning and advanced writers alike. You’ll also have the opportunity to piece together some of the exercises into a story or essay by the end of the course. Though we’ll share our writing in class, this is not a traditional workshop. Come prepared to write a lot. You can read BK Loren’s short fiction and essays in Orion Magazine, The Best Spiritual Writing of 2004 and 2012, The Future of Nature, Berkeley Fiction Review, Yoga International, Between Song and Story, and many other anthologies and periodicals. She is grateful for the many awards and fellowships that allow her to spend her days writing. This year, she has been nominated for two Pushcart Prizes. Her first book was commissioned and published by Lyons in 2001. Her novel Theft will be published by Counterpoint in 2012. She is currently completing a second novel and a collection of creative nonfiction essays. For more information, check out www.bkloren.com.
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by Instructor Sponsored by the Division of Continuing Education Last updated on February 24, 2012 |
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