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Workshop Descriptions & Instructors


Marilyn Abildskov
Mary Allen
Kate Aspengren
Thomas Fox Averill
Nancy Barry
Timothy Bascom
Kyle Beachy
Karen Bender
Linda Bendorf
Maudy Benz
Venise Berry
Bruce Bond
David Bouchier
Michael Dennis Browne
Maggie Conroy
Mary Cross

Thomas K. Dean
Amber Dermont
Janet Desaulniers
Kelly Dwyer
Hope Edelman
Josh Emmons
Jill Esbaum
Sarah Fay
Hugh Ferrer
Katie Ford
Geoffrey Forsyth
Cecile Goding
Douglas Goetsch
Sands Hall
Christine Hemp
Jim Heynen
Rick Hillis
Charles Holdefer
Richard Jackson
Rebecca Johns
Cheryl Fusco Johnson
Wayne Johnson
Daniel Khalastchi
Carolyn Lieberg
BK Loren
Peter Markus
Fritz Mc Donald
James McKean
Gordon Mennenga
Sharelle Byars Moranville
Michael Morse
Marc Nieson
Shannon Olson
Diana Ossana
Lon Otto
Juliet Patterson
Kiki Petrosino
Mark Jude Poirier
Leslie Carol Roberts
Anjali Sachdeva
Sarah Saffian
Sam Samuels
Sandra Scofield
Mary Kay Shanley
Robert Anthony Siegel
Carol Spindel
Karen Subach
Mary Swander
Mary Vermillion
Kris Vervaecke
Ashley Warlick
Michelle Wildgen
Bart Yates

Lon OttoLon Otto

Passionate Revision—Fiction & Narrative Nonfiction
One-Week Workshop
June 14–19

The Traveler’s Story—Literary Nonfiction & Fiction
One-Week Workshop
June 21–26

Biography

Passionate Revision—Fiction & Narrative Nonfiction
One-Week Workshop
June 14–19

After the sweaty business of producing the draft of a story, novel, or nonfiction book, many of us want nothing more than to roll over and go to sleep. Yet that’s exactly when things can get really interesting. This course begins with the understanding that much of what makes revision difficult involves emotional barriers, and that successful revision draws on equally passionate, deep-seated resources, as well as specific strategies and techniques. Intended for writers working on a novel, short story collection, or narrative nonfiction book such as a memoir, the workshop will explore an array of practical revision strategies. Through various exercises, you will apply those strategies to portions of your own work in progress, looking for ways of making it more convincing, engaging, coherent, and original. The larger purpose of the workshop and individual conversations is to develop practices that will help sustain you through the long and potentially exhilarating work of revising a book-length manuscript.

The Traveler’s Story—Literary Nonfiction & Fiction
One-Week Workshop
June 21–26

Factual and imaginative writing about travel has captured a wide, devoted readership from ancient times to the present. Travel provides us with intense, complex experiences, unfamiliar settings, interesting characters, and the heightened self-awareness that comes from dislocation. The structure of journey can give shape to a story, essay, or book. During this weeklong voyage of engaged writing, reading, and individual conversations, we will explore techniques for using the experience of travel as subject and theme. We will study examples of great travel writing in published fiction and literary nonfiction, and examine our own travel experiences—exotic or apparently ordinary—looking for elements that lead to powerful and original writing. Through exercises drawing on your previous experiences and new observations, we’ll rummage through the baggage we lug along to new places, scrutinize our traveling companions, and unfold the maps of memory and imagination. If we’re lucky, we’ll get lost and discover new worlds, including (and this is one of the secrets of great travel writing) the worlds within ourselves.

Biography
Lon Otto (Ph.D., Indiana University) has published two collections of stories—A Nest of Hooks (University of Iowa Press), and Cover Me (Coffee House). His writing is in Flash Fiction, Townships, American Fiction, Best Words, Best Order, and Flash Fiction Forward. He has lived in Costa Rica, taught in Mexico, Spain, and Portugal, and is Professor of English at the University of St. Thomas in St. Paul, Minnesota, where he teaches writing and literature.

 

 

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Sponsored by the Division of Continuing Education
Iowa Summer Writing Festival
C215 Seashore Hall
The University of Iowa
Iowa City, IA 52242

Phone 319-335-4160
FAX 319-335-4743
iswfestival@uiowa.edu

Last updated on February 19, 2009