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Workshop Descriptions & Instructors


Faith Adiele
Mary Allen
Kate Aspengren
Thomas Fox Averill
Nancy Barry
Timothy Bascom
Linda Bendorf
Venise Berry
Bruce Bond

Michael Dennis Browne
Susan Taylor Chehak
John Dalton
Thomas K. Dean
Amber Dermont
Kelly Dwyer
Hope Edelman
Josh Emmons
Katie Ford
Patricia Foster
Laura Fraser
Cecile Goding
Douglas Goetsch
Kevin González
John Griesemer
Sands Hall
Christine Hemp
Jim Heynen
Rick Hillis
Charles Holdefer
Richard Jackson
Cheryl Fusco Johnson
Wayne Johnson
Bret Anthony Johnston
Daniel Khalastchi
Zachary Lazar
Carolyn Lieberg
BK Loren
Fritz Mc Donald
James McKean
Gordon Mennenga
Katherine Min
Sharelle Byars Moranville
Michael Morse
Barbara Robinette Moss
Marc Nieson
Shannon Olson
Lon Otto
Juliet Patterson
Anjali Sachdeva
Sarah Saffian
Sam Samuels
Leslie Schwartz
Sandra Scofield
Mary Kay Shanley
Carol Spindel
Karen Subach
Mary Vermillion
Ashley Warlick
Jan Weissmiller
Bart Yates

Sarah Saffian

Memoir: The Vertical Pronoun And The Who Cares? Question
One-Week Workshop
July 13–18

Narrative Journalism: The Art Of The Profile
Weekend Workshop
July 19–20

Biography

 

Memoir: The Vertical Pronoun And The Who Cares? Question
One-Week Workshop
July 13–18

Though only one letter long, the word “I” can intimidate a writer. In this course, we’ll spend half our time discussing excerpts from various memoirs—by Vladimir Nabokov, Kathryn Harrison, Frank McCourt, Lucy Grealy—and exploring our own personal storytelling through short (250-word max) exercises in memory mining, verb tense and voice, and character, dialogue and plot. The rest of the time we’ll workshop our memoirs-in-progress, striving to answer the pesky Who Cares? question: How can my story be both unique and universal, both precisely mine and meaningful to others?

Please plan to send me your work (10 pages maximum) in advance of our session. While this course is ideal for memoirists in the midst of projects, writers at any stage are welcome. Those who come in with an already completed draft will equip themselves to revise rigorously, and those with little more than a concept will chip away considerably at that block of marble, to find the statue emerging.

Narrative Journalism: The Art Of The Profile
Weekend Workshop
July 19–20

The profile, one of the foundations of narrative journalism, is a portrait painted in words. A profile writer serves as the eyes and ears for the reader, enabling the reader to experience the subject as palpably as one can without meeting in person. In this course, we’ll learn the interviewing and the writing aspects of the profile process: getting your subject to talk; being both prepared and open to surprise; trying on different perspectives (degrees of first person, fly-on-the-wall); prioritizing information and using quotes to convey your subject vividly and precisely, bringing him or her to life on the page.

On day one, we’ll explore the nuts and bolts of the form, and what makes profiles like Lillian Ross’s “Portrait of Hemingway” and Gay Talese’s “Frank Sinatra Has a Cold” successful; then we’ll split up to interview one another. Overnight, you’ll write a short (500-word max) profile of your colleague. On day two, we’ll read these profiles aloud and discuss what’s working, what isn’t, and why. Inquisitive wordsmiths at all levels are welcome.

Biography
Sarah Saffian (M.F.A., Columbia University) is the author of Ithaka, her memoir of being an adoptee who was found by her birth family (Basic Books; Dell). A journalism professor at the New School University, Sarah has written and edited for publications including The New York Times, The San Francisco Chronicle, Entertainment Weekly, and slate.com. She has been a writer-in-residence at Millay and the Atlantic Center for the Arts, and recently completed an essay for a forthcoming anthology on parent loss.

 

 

 

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Sponsored by the Division of Continuing Education
Iowa Summer Writing Festival
C215 Seashore Hall
The University of Iowa
Iowa City, IA 52242

Phone 319-335-4160
FAX 319-335-4743
iswfestival@uiowa.edu

Last updated on January 10, 2008