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Workshop Descriptions & Instructors
Marilyn Abildskov
Mary Allen Kate Aspengren Thomas Fox Averill Nancy K. Barry Timothy Bascom Ann Bauer Karen Bender Linda Bendorf Venise Berry Jonathan Blum Robin Bourjaily Michael Dennis Browne Sarah Busse Susan Taylor Chehak Maggie Conroy Thomas K. Dean Amber Dermont Kelly Dwyer Nick Dybek Hope Edelman Jill Esbaum Michelle Falkoff Hugh Ferrer Cecile Goding Douglas Goetsch Eric Goodman Sands Hall Christine Hemp Jim Heynen Charles Holdefer Jeremy Jackson Richard Jackson Rebecca Johns Cheryl Fusco Johnson Wayne Johnson Daniel Khalastchi Carolyn Lieberg BK Loren Sabrina Orah Mark Peter Markus Jacqueline Briggs Martin Malinda McCollum Fritz Mc Donald Madeline McDonnell James McKean Reginald McKnight June Melby Gordon Mennenga Sharelle Byars Moranville Michael Morse Beau O’Reilly Juliet Patterson Mark Jude Poirier Andrew Porter Kathryn Rhett Elizabeth Robinson Anjali Sachdeva Sarah Saffian Sam Samuels Lisa Schlesinger Sandra Scofield Mary Kay Shanley Robert Anthony Siegel Carol Spindel Karen Subach Nicholas Twemlow Anthony Varallo Mary Vermillion Kris Vervaecke Jeff Vintar Bart Yates |
Sandra Scofield The First Novel Primer The First Novel Primer It’s a big undertaking, a novel, but you’re in the throes of passion for a story. How do you start? How do you plan? How do you evaluate what you’re doing? How do you deal with that messy first draft? (Does it have to be messy?) Just what are the building blocks of a novel, and how do you balance and sequence them? What’s the difference between plot-driven and character-driven stories, and does it matter? What keeps a story moving? What makes a reader care? In this week, we’ll talk about essential concepts and skills, and you’ll have opportunities to write or rewrite (if you’ve already started), exploring scenes, developing characters, and pinning down chronology. We’ll share these exercises, and we’ll get and give generous feedback. You’ll develop a strategy for proceeding, and perhaps you’ll find a friend or two to share the journey online. The class can accommodate you, wherever you find yourself between start (idea!) and finish (good to go!). You can even try your hand at writing a synopsis and query. And you can workshop up to 2,500 words, as well as discuss your novel with the instructor. Fashioning a Self: A Process of Life-Writing This class in life-writing offers routes to self-discovery and self-definition through writing about life as a fluid journey. You are engaged in shaping the story of your becoming. We will talk about readings and about ourselves and about writing; we will do many exercises, inventory topics from our lives, and re-see our own experiences. You will produce many short passages, sharing and discussing them, or you may choose a theme or direction early on and focus on it. Although there will be some discussion of craft (e.g., balancing narrative and essay), the emphasis is on exploring story and one’s own particular way of defining it. Life narrative is not just retrospection; it is also the construction of oneself. You may choose to write in any genre. Although you may think of this work as memoir, you will find it has a broader perspective. It is even possible to work with a fictional character you wish to develop for a novel. If you were in a previous workshop, you are welcome to attend again; sessions always vary because writers and groups do. Biography
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by Instructor Sponsored by the Division of Continuing Education Last updated on February 24, 2012 |
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