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Workshop Descriptions & Instructors


Marilyn Abildskov
Mary Allen
Kate Aspengren
Thomas Fox Averill
Nancy K.Barry
Timothy Bascom
Kyle Beachy
Karen Bender
Linda Bendorf
Maudy Benz
Venise Berry
Bruce Bond
David Bouchier
Michael Dennis Browne
Maggie Conroy
Mary Cross

Thomas K. Dean
Amber Dermont
Janet Desaulniers
Kelly Dwyer
Hope Edelman
Josh Emmons
Jill Esbaum
Sarah Fay
Hugh Ferrer
Katie Ford
Geoffrey Forsyth
Cecile Goding
Douglas Goetsch
Sands Hall
Christine Hemp
Jim Heynen
Rick Hillis
Charles Holdefer
Richard Jackson
Rebecca Johns
Cheryl Fusco Johnson
Wayne Johnson
Daniel Khalastchi
Carolyn Lieberg
BK Loren
Peter Markus
Fritz Mc Donald
James McKean
Gordon Mennenga
Sharelle Byars Moranville
Michael Morse
Barbara Robinette Moss
Marc Nieson
Shannon Olson
Diana Ossana
Lon Otto
Juliet Patterson
Kiki Petrosino
Mark Jude Poirier
Leslie Carol Roberts
Anjali Sachdeva
Sarah Saffian
Sam Samuels
Sandra Scofield
Mary Kay Shanley
Robert Anthony Siegel
Carol Spindel
Karen Subach
Mary Vermillion
Kris Vervaecke
Ashley Warlick
Michelle Wildgen
Bart Yates

Karen Subach

Karen Subach

Twenty Dances toward Flapping Your Wings Again: A Generative Workshop for Writers
One-Week Workshop
June 7–12

Slapdash-Mishmash Haberdashery Hash, or Just Write It—Something for Most Writers
Weekend Workshop
June 13–14

Biography

Twenty Dances toward Flapping Your Wings Again: A Generative Workshop for Writers
One-Week Workshop
June 7–12

Breathe. Attend. Feel deeply. This gathering is for revitalizing your creative spirit. Every day we will take a few minutes to share part of a previously made piece (either through reading aloud or through giving out copies for silent reading); we will move into exercises that lead to compelling new work (depending on your medium); and we will read overlapping work from throughout history. Largesse of spirit and mutual support will inform this workshop. All voices are welcome.

Before we meet, I request a letter addressing your writing background and nine typed pages of finished work. The pages you send will not be discussed in class; they will serve, rather, to give me a sense of who you are and how I can help catalyze new writing for you. This class is most appropriate for those who have weathered ups and downs within the creative process and are familiar with the complicated commitment of attending to the calling. Former students are encouraged to return; I take joy in seeing how your work is evolving. 

Slapdash-Mishmash Haberdashery Hash, or Just Write It—Something for Most Writers
Weekend Workshop
June 13–14

Bombazine and tulle. Glitter, threads, and fitting. As we plunge into the box of word-triggering material that I will offer you in this generative workshop, I will help you to find imaginative ribbons from your life to shape into poems, stories, plays, essays, or other forms long after our session ends. A significant part of your new work will come out of the images that occur to you in response to what we do, and from your own voice in its many forms.

While image and voice may seem to some writers most relevant to work in poetry, I ask you to consider the novel-length fiction of Michael Ondaatje, Rikki Ducornet, Virginia Woolf, and Janet Frame; the short fiction of Richard Ford, Susan Minot, and Christine Schutt; the plays of Romulus Linney, David Caudle, David Roby, and Tammy Ryan; the essays of James P. Carse and Jo Ann Beard; and the screenplays of Jane Campion, Patricia Rozema, and Beth Ferris. We will be inspired by moving examples of work in several genres. Come with your enthusiasm and unconditional positive regard! While a passion for words and sentences would be ideal, the only real requisite is your sincere desire to discover new material.

Biography
Karen Subach (M.A., Oxford University; M.F.A., The University of Iowa Writers’ Workshop) is a poet and fiction writer with a background in languages and medieval literature. Her work has appeared in The American Poetry Review, Cimarron Review, CutBank, Hayden’s Ferry Review, Kalliope, New Letters, North American Review, Pleiades, Roanoke Review, and other journals, and has been nominated for the Pushcart Prize and Editor’s Choice Awards. She has been a writing resident at Yaddo and a scholar for the Poets in Person Series. Karen has recently finished a novel, excerpts of which are forthcoming in Georgetown Review and New England Review. This will be her twenty-second fabulous year with the Iowa Summer Writing Festival.

 


 

 

 

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Sponsored by the Division of Continuing Education
Iowa Summer Writing Festival
C215 Seashore Hall
The University of Iowa
Iowa City, IA 52242

Phone 319-335-4160
FAX 319-335-4743
iswfestival@uiowa.edu

Last updated on February 10, 2009