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Workshop Descriptions & Instructors


Faith Adiele
Mary Allen
Kate Aspengren
Thomas Fox Averill
Nancy Barry
Timothy Bascom
Linda Bendorf
Venise Berry
Bruce Bond

Michael Dennis Browne
Susan Taylor Chehak
John Dalton
Thomas K. Dean
Amber Dermont
Kelly Dwyer
Hope Edelman
Josh Emmons
Katie Ford
Patricia Foster
Laura Fraser
Cecile Goding
Douglas Goetsch
Kevin González
John Griesemer
Sands Hall
Christine Hemp
Jim Heynen
Rick Hillis
Charles Holdefer
Richard Jackson
Cheryl Fusco Johnson
Wayne Johnson
Bret Anthony Johnston
Daniel Khalastchi
Zachary Lazar
Carolyn Lieberg
BK Loren
Fritz Mc Donald
James McKean
Gordon Mennenga
Katherine Min
Sharelle Byars Moranville
Michael Morse
Barbara Robinette Moss
Marc Nieson
Shannon Olson
Lon Otto
Juliet Patterson
Anjali Sachdeva
Sarah Saffian
Sam Samuels
Leslie Schwartz
Sandra Scofield
Mary Kay Shanley
Carol Spindel
Karen Subach
Mary Vermillion
Ashley Warlick
Jan Weissmiller
Bart Yates

Mary Vermillion

Mystery Characters
Weekend Workshop
July 12–13

Clues To Effective Mysteries
Weekend Workshop
July 19–20

Creating Characters For A Mystery Series
One-Week Workshop
July 20–25

Biography


Mystery Characters
Weekend Workshop
July 12–13

Character is at the heart of all great fiction—including the intricately plotted mystery novel. This course will examine the three types of characters essential to the genre: the protagonist, the victim, and the villain. We’ll discuss the trios of accomplished crime writers, and I’ll lead you through a series of exercises that will help you develop or deepen your own trio. As you create characters for your mystery, you’ll also create “mystery” in your characters—secrets and paradoxical desires that fuel all types of fiction. This course will focus on generating new material.

Clues To Effective Mysteries
Weekend Workshop
July 19–20

All writers must create vivid, significant details, but mystery writers must also devote a great deal of attention to their placement. When mystery writers plant clues, they employ a range of strategies designed to guide—and, yes, manipulate—the reader’s attention and response. Our examination of these strategies will serve two purposes. We’ll observe and practice several ways of creating emphasis, and we’ll strengthen our understanding and use of narrative fundamentals such as conflict, dialogue, and setting. This course, which will focus on generating new material, is for mystery writers and other narrative writers who enjoy crime fiction and want to use it to improve their craft.

Creating Characters For A Mystery Series
One-Week Workshop
July 20–25

Kay Scarpetta. Easy Rawlins. V.I. Warshawski. What makes a character compelling enough to sustain a mystery series? How is creating a series character different than creating a character for a stand-alone novel? These questions will guide us as you create or develop your own series character. By engaging in a series of exercises, and by discussing well-known series characters—as well as your own—we’ll tackle the following questions: How can I make my character unique without resorting to gimmick? How much of a past should I create for my character? How will my character evolve from one investigation to another? How can I best use supporting characters?

You do not need to bring previously written material to this class, but if you have some writing on a series character—a scene, a chapter, a sketch—you’re welcome to share it. Please limit yourself to ten double-spaced pages.

Biography
Mary Vermillion is the author of two mystery novels, Death by Discount and Murder by Mascot. She earned her Ph.D. at The University of Iowa and is a professor of English at Mount Mercy College in Cedar Rapids, Iowa. For more information, visit Mary’s web site: www.maryvermillion.com. 

 

 

 

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Sponsored by the Division of Continuing Education
Iowa Summer Writing Festival
C215 Seashore Hall
The University of Iowa
Iowa City, IA 52242

Phone 319-335-4160
FAX 319-335-4743
iswfestival@uiowa.edu

Last updated on January 10, 2008