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Workshop Descriptions & Instructors


Faith Adiele
Mary Allen
Kate Aspengren
Thomas Fox Averill
Nancy Barry
Timothy Bascom
Linda Bendorf
Venise Berry
Bruce Bond

Michael Dennis Browne
Susan Taylor Chehak
John Dalton
Thomas K. Dean
Amber Dermont
Kelly Dwyer
Hope Edelman
Josh Emmons
Katie Ford
Patricia Foster
Laura Fraser
Cecile Goding
Douglas Goetsch
Kevin González
John Griesemer
Sands Hall
Christine Hemp
Jim Heynen
Rick Hillis
Charles Holdefer
Richard Jackson
Cheryl Fusco Johnson
Wayne Johnson
Bret Anthony Johnston
Daniel Khalastchi
Zachary Lazar
Carolyn Lieberg
BK Loren
Fritz Mc Donald
James McKean
Gordon Mennenga
Katherine Min
Sharelle Byars Moranville
Michael Morse
Barbara Robinette Moss
Marc Nieson
Shannon Olson
Lon Otto
Juliet Patterson
Anjali Sachdeva
Sarah Saffian
Sam Samuels
Leslie Schwartz
Sandra Scofield
Mary Kay Shanley
Carol Spindel
Karen Subach
Mary Vermillion
Ashley Warlick
Jan Weissmiller
Bart Yates

Jan Weissmiller

Jan Weissmiller

Writing And Revision: A Poetry Workshop
Weekend Workshop
June 21–22

Useful Tools: A Poetry Workshop
One-Week Workshop
July 20–25

Biography

 

 

 

 

Writing And Revision: A Poetry Workshop
Weekend Workshop
June 21–22

If writing is to be great it will be, in Einstein’s formulation, 1% inspiration and 99% perspiration. Wordsworth defined poetry as great emotion recollected in tranquility. It takes courage, time, and discipline to effect this transformation. This workshop asks you to be ready to do that work. Participants will be asked to send up to five poems to the instructor prior to the session, and to bring copies of these poems to share with the group. In the workshop, we will aim our discussion toward specific suggestions for revision as we balance critical strategies with the inherent goals of the poem. We will read essays on revision and look at manuscript drafts of well-known poems, but most of the weekend will be devoted to critiquing work brought to the session. Any revisions completed over the course of the weekend will also be shared with the group.

Useful Tools: A Poetry Workshop
One-Week Workshop
July 20–25

In this workshop, we will explore many and varied formal strategies that can help to generate and shape poems. We will do exercises based on both traditional forms and structures used in the composition of “free verse.” In this way, we will look at writing as a process of trial and error against a backdrop of form. Whether a poem is inspired by an event, a deep thought, or a ghostly music, it is finally formed by the resistance of language to this inspiration. During the course of the workshop we will consider the formal elements— conscious and unconscious—that we work with and against in order to best capture the feelings that inspire our poems. We will spend some of our time analyzing poems brought to the session, but much of the week will be devoted to strategic exercises that can be used in both revision and in generating new work.

Biography
Jan Weissmiller (M.F.A., The University of Iowa Writers’ Workshop) won the Loess Hills Poetry Award for her collection In Divided Light, published by Loess Hills Press. She co-edited, with Jerry Harp, A Poetry Criticism Reader, published in 2006 by The University of Iowa Press. Jan has taught creative writing workshops to high school teachers and been a guest speaker at Drake University, Cornell College and Mt. Mercy College. She has long been on the staff of Prairie Lights Books, where she is the poetry buyer and coordinates the poetry readings for WSUI’s Live From Prairie Lights.

 

 

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Sponsored by the Division of Continuing Education
Iowa Summer Writing Festival
C215 Seashore Hall
The University of Iowa
Iowa City, IA 52242

Phone 319-335-4160
FAX 319-335-4743
iswfestival@uiowa.edu

Last updated on January 10, 2008