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Workshop Descriptions & Instructors


Marilyn Abildskov
Mary Allen
Kate Aspengren
Thomas Fox Averill
Nancy K.Barry
Timothy Bascom
Kyle Beachy
Karen Bender
Linda Bendorf
Maudy Benz
Venise Berry
Bruce Bond
David Bouchier
Michael Dennis Browne
Maggie Conroy
Mary Cross

Thomas K. Dean
Amber Dermont
Janet Desaulniers
Kelly Dwyer
Hope Edelman
Josh Emmons
Jill Esbaum
Sarah Fay
Hugh Ferrer
Katie Ford
Geoffrey Forsyth
Cecile Goding
Douglas Goetsch
Sands Hall
Christine Hemp
Jim Heynen
Rick Hillis
Charles Holdefer
Richard Jackson
Rebecca Johns
Cheryl Fusco Johnson
Wayne Johnson
Daniel Khalastchi
Carolyn Lieberg
BK Loren
Peter Markus
Fritz Mc Donald
James McKean
Gordon Mennenga
Sharelle Byars Moranville
Michael Morse
Barbara Robinette Moss
Marc Nieson
Shannon Olson
Diana Ossana
Lon Otto
Juliet Patterson
Kiki Petrosino
Mark Jude Poirier
Leslie Carol Roberts
Anjali Sachdeva
Sarah Saffian
Sam Samuels
Sandra Scofield
Mary Kay Shanley
Robert Anthony Siegel
Carol Spindel
Karen Subach
Mary Vermillion
Kris Vervaecke
Ashley Warlick
Michelle Wildgen
Bart Yates

Michelle Wildgen

Novel Workshop: Crucial Moments
One-Week Workshop
July 19–24

Biography

Novel Workshop: Crucial Moments
One-Week Workshop
July 19–24

In this workshop, you’ll put forward a synopsis of your novel as well as an excerpt that focuses on a crucial moment for your characters: a spot where the motor of the novel kicks in and something turns a corner. We’ll discuss your excerpt at the workshop table, looking at how plot, character arc, and structure work together overall, using the synopsis to place it in context. Where do these crucial moments fall? What leads to them and where do they take us next? The idea is to maximize your novel’s sense of consequence and momentum, to understand its individual pieces and how they build on each other in the larger scheme of the book. We’ll also do a small number of writing assignments or exercises designed to expand your work on your novel. Participants in this workshop should have a complete draft of a novel, or nearly so. Excerpt(s) can be one section of up to 25 pages, or two smaller sections from different places in your book. Plan to send these to me in advance of our session.

Biography
Michelle Wildgen is the author of the novel You’re Not You, recently optioned for film, and the forthcoming But Not For Long (both from Thomas Dunne Books/Picador). She’s also the editor of the anthology Food & Booze from Tin House Books. Her work has appeared in The New York Times, Best New American Voices, Best Food Writing, and several literary journals and anthologies. She is a senior editor at Tin House Magazine and lives in Madison, Wisconsin.

 

 


 

 

 

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Sponsored by the Division of Continuing Education
Iowa Summer Writing Festival
C215 Seashore Hall
The University of Iowa
Iowa City, IA 52242

Phone 319-335-4160
FAX 319-335-4743
iswfestival@uiowa.edu

Last updated on February 10, 2009