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Workshop Descriptions & Instructors
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Sharelle Byars Moranville Eleven Points of Revision in Fiction Eleven Points of Revision in Fiction If writing is good, revision is better. It’s the opportunity to reflect back on a cast of characters and their lives as they are lived out on the pages of our novels or short stories and sharpen the focus before the manuscript goes to an agent or editor. Do the characters indeed come to life and hold the reader in the story? Often we don’t quite achieve that in our first finished draft. In this workshop, we’ll be looking at eleven points of revision (and maybe more), and you’ll be applying these concepts to your manuscript. You will need to bring with you a completed first draft of either a novel or a short story. Class sessions will involve presenting your manuscript in discussion format—i.e., telling the class about the characters, the conflicts, the setting, the themes, etc.—as well as providing short samples of writing. A typical class will involve a discussion of one or more of the Eleven Points of Revision (often with a supporting in-class exercise). Then we’ll work with your project, applying these principles. Out-of-class assignments will require reading and critiquing short selections from other students’ manuscripts, as well as revising your own manuscript. Biography
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by Instructor Sponsored by the Division of Continuing Education Last updated on February 10, 2009 |
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